This post, I warn you, is a response to an academic journal article. If you find it boring or incomprehensible, please do come again another time – you’re likely to encounter something of broader appeal.
Philip Holden’s “Literary Biography as a Critical Form” Biography 37.4 (Fall 2014) is a lifeline thrown out to literary biography, the “Cinderella” of literary studies. Holden takes as his point of departure Michael Benton’s monograph Literary Biography: An Introduction (2009). In my reading of Benton’s work (which I found an excellent account of the state of the genre and challenges and issues within it for the biographer and reader), he is content to retain literary biography’s estrangement – or at least distinctiveness – from literary theory and literary criticism and proceed with giving an account of the genre on its own terms. Holden, in contrast, wants to achieve a rapprochement. Continue reading