22 Tuesday Jan 2013
Posted in found objects, libraries, link
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It is a joy to discover someone who shares your quaint pleasures. I love to find ephemera in old books, a regular occurrence in my library. My theological librarian colleague Philip Harvey shares my interest. I sent him the passage in my new novel which touches on it, and I was chuffed that he quoted it in an excellent and wide-ranging post on the traces left behind in second-hand books. You can find it here.
10 Monday Dec 2012
Posted in death
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It is probably not a healthy thing for me to be writing a novel about death, given my preoccupation with it. And why did I google ‘cremation’ just then in the name of research?
I didn’t find quite what I was looking for, but this instead:
Now we can create a custom cremation urn for ashes in the image of your loved one or favorite celebrity or hero, even President Obama!
So you can either have a bust made of a celebrity and store your ashes in that, or a spooky likeness of yourself made to sit forever on the mantlepiece watching your family? Such a strange concept, that you would be interred in the likeness of another, a person you never met. It is bizarre in a folk-religious way, the ultimate outcome of our celebrity worship.
I wish we were better at memorialising. In my novel, Tom contemplates the macabre possibility of preserving people’s heads and having them sit on the mantlepiece. I wouldn’t want that, in case you’re wondering. But I hate the thought of bodies – faces particularly – decaying and lost.
The marble or copper busts of Great Men made in the past seem to me, in some ways, a fitting memorialisation. But these advertised ones are, paradoxically, too realistic (in a tacky way), causing what the nerd from 30 Rock and John Safran inform me is the ‘uncanny valley’.
If I was earlier into my novel, I would have to incorporate these busts, but it’s too late for that.
05 Friday Oct 2012
Posted in book review
In Ice, A 19th century entrepreneur is obsessed with overcoming death, after losing his father at two and his beloved first wife a year into their marriage. In the present day, a man writes the entrepeneur’s biography from the notes left by his comatose wife, hoping the story he has created will jolt her to consciousness. It’s disturbing for me to discover that a prominent Australian writer has already published a novel on similar themes to the one I’m writing. From a purely selfish point of view, you’ll forgive me for being glad Ice is not definitive enough to preclude another novel with resemblances of theme and milieu.
Nowra’s 2008 novel was shortlisted for the Miles Franklin, but had mixed reviews. I think the criticisms are valid, but I was still fascinated by its Australian treatment of death and immortalities in the Victorian era. David Free (Quadrant, December 2009: p.23) is insightful about the novel’s flaws:
This stinginess with dialogue is connected to Nowra’s central vice: his practice of summarising the events of his story rather than dramatising them. His unit of conveying information isn’t the scene, but the drab prose précis. Again, this seems a bizarre technical sacrifice for a novelist to make. If reading a novel about an historical figure sounds like a more enticing proposition than reading a 300-page encyclopaedia entry about him, that’s because we expect the novelist to render his narrative in vivid scenes, to roll up his sleeves and plunge into the business of fictional evocation. Nowra not only doesn’t do this; he doesn’t even seem to try.
In trying to cover 58 years in the life of the central character, Malcolm McEacharn, summary is the default mode. It doesn’t read exactly like an encyclopedia or even a conventional biography, because we are brought inside Malcolm and other character’s minds; but it does read like fiction which is not fully imagined.
[SPOILER ALERT] Yet it’s crammed with fascinating plot developments, ‘tall-tales’, as one reviewer wrote, building on the actual life of Malcolm McEacharn. The iceberg Malcolm tows into Sydney Harbour at the beginning of the novel has, at its core, a preserved sailor. Malcolm attends seances to find his dead wife; collects bottled foetuses of every creature; digs up the bones of his father.
12 Thursday Nov 2009
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As he looked for books to reshelve, he would walk amongst the readers bent over their desks and imagine he could hear the murmur of their thoughts. All those words going through people’s heads, making some connection, some act of communication between writer and reader, sometimes across gaps of centuries. It was miraculous. With his thoughts on this, the reading area hummed and shouted with the glory of the silent communion.
All these people embarked on their own quests, their own projects, an aim, a question, a desire to read they kept inside their head. The library did not ask them why they came. They just came, walking in here to take certain books off the shelves and read.
Silent exterior, noisy interior. A beautiful place, the library.
22 Thursday Oct 2009
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Extract #2 from novel-in-progress The Library of Babel
Over a rainy spring week, they packed their belongings in boxes. They had too much stuff; they had to keep going back for more boxes. There were so many things Tom only looked at each time he moved. He wondered if he should accept this or whether he should throw them out. Maybe it was what made moving worthwhile – it forced him to revisit objects, to reconnect with his past and the things he’d decided were worth keeping.
Then, sorting through the computer leads, half dead batteries, assorted pencil tins given as gifts by his mum which had accumulated in drawers, he revised his thinking. There were many things he hadn’t decided were worth keeping; they had just clung on to him like prickles and he had failed to throw them out, or he had some sense that they might be needed.
He got to the books which had outgrown his shelves and were doublestacked in places. The Sinclair Morgan Library’s problem in miniature. He put six in a pile to take to the opshop, four of them which he’d failed to read in ten years of having them and two which he’d read and hadn’t loved. He couldn’t find a single other book amongst his thousand that he was prepared to part with.
He began packing his thousand books in cardboard boxes. He was thinking about what qualified a book for keeping. If it was a favourite book, that obviously needed keeping. But also if it had lots of annotations – ticks on favourite passages, underlinings, comments, dates he started different chapters – those books qualified for keeping too, even if they weren’t favourites. Those books retained a record of the hours spent on them. He liked to think that reading back over the annotations enabled him to recall the reading experience, reanimating the time he had put into the book.
And then there were books that he thought he’d be going back to, reference books, difficult books which needed re-reading, classic books he needed to check things in or to have on his shelf for appearance’s sake. Maybe he was being too harsh on himself; it wasn’t that many people ever inspected his shelves. It was more likely it was for his own self-esteem; it told him that he was capable of reading Finnegan’s Wake and Moby Dick – one day.
Anita caught him in the lounge spending too long on the books and said, ‘Do you want me to do this for you?’
‘No,’ he said. She used to like reading till she married him. But she told him that his obsession with books had put her off them. As a kind of conscientious objection to his preoccupation, she was reading very little these days. It wasn’t working; he read as much as ever, but he felt lonely that he couldn’t talk books with her as much as they had when they were dating.
When he finally finished packing the books, pin and needles ran through his legs from crouching down so long. He picked up the pile of six discards to put them in a plastic bag, only to reconsider three, which he added to the last box. It barely seemed worth taking the three other books to the opshop, but he needed to make some gesture toward deaccumulation.
24 Thursday Sep 2009
Posted in death, Series: Thursday 3pm feature posts (2009), writing
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An extract from The Library of Babel
I was on the bus after work to visit Grandad when my mobile started vibrating in my pocket. Its urgency disturbed me: phones were always for bad news in my mind. This time I was right – it was Dad and he was calling to say Grandad had died a few minutes ago.
My voice turned to a whisper. I didn’t want these strangers on the bus knowing my business. I asked Dad if he was coping okay, a stupid question, but I didn’t know what else to say. He said he was okay. I told him I was nearly at the hospice.
The book I’d been reading sat forgotten on my lap. I felt cheated that I’d nearly got there, that I could have seen him one last time and I hadn’t. I looked all around me on the bus, and then I couldn’t get my eyes off the stupid advertisements on the inside walls. There was nowhere I could go without people trying to sell me stuff.
I wanted someone with me but I couldn’t bear to ring Anita. I didn’t want to say Grandad was dead. Spreading the news would make it seem more real. The best thing would be to tell no-one, and then, as far as the world was concerned, he would go on living.
I suddenly realised I had no grandparents left, then I reproached myself. I was being so selfish. The person I should be thinking about was Grandad. I wanted to think precisely of what had just happened to him, to get past the words to the event itself. His consciousness had been extinguished. As far as his body was concerned, he no longer existed.
Everyone always said how sad it was for the people left behind, but I was thinking how the real tragedy was for dead person. How could it be possible to die? For your mind to be thinking thoughts one moment, and then not thinking thoughts the next? How could it be possible to have a final thought?
He had a final thought, and no-one will ever even know what it was. Let alone what came next for him. I wondered if he had last words. No-one even cared about last words these days. People used to care about last words; they probably used to rehearse them, to make sure they had them right. Your last words were the culmination of your life.
I went a few stops past the hospice. It wasn’t like I was thinking very straight. Stepping off the bus into the dusk, I had to walk back along the highway. Bus shelter ads, fast food litter on the uneven slabs of the footpath and all the cars rushing past with such violence. The sun was gone and chill of the night was setting in. I needed to ring Anita, I still couldn’t bear to. This could be an ordinary Tuesday night, I could be going to a pub – not that I ever did, but wouldn’t it be such a comforting, ordinary thing to do tonight? – or going to see a cheap movie at the cinema. But these weren’t options tonight.
An innocuous blue sign pointed down a sidestreet to the hospice. It was a residential street, lined with trees. None of these people in their houses knew that a long had just ended in their street. It happened daily, people’s long life stories coming to an end in beds inside a building on their streets. Did they know how much was being lost around them?
Dad, Uncle Graham, Aunty Pat were gathered in the room where he had died. His body had already been taken away. The bed was empty and unmade. I gave everyone subdued hugs.
Dad asked in a low voice if I wanted to see his body. I said no. Even seeing the empty bed was too much. I hadn’t seen a dead body this far in my life and I didn’t want to start today.
On the beside table was an old paperback. I picked it up; a bookmark from his local library was stuck between pages 190 and 191. He only had a few chapters to go. While everyone was talking, I slipped the book into my bag.
That night, I sat in the lounge room until one a.m. reading the old paperback. It was A.J. Cronin’s autobiography, Adventure in Two Worlds. Uncle Graham had probably grabbed it from Grandad’s shelf. I wondered if Grandad had read it before, or if it had been one of those books he had bought at a garage sale and been meaning to get to for the last twenty years.
It was a cheap paperback edition from the 1960s, the cover declaring it an international bestseller. I disliked bestsellers, but I had sympathy for the forgotten bestsellers of the past. Their obsolescence was touching, as was their misplaced self-confidence. They encapsulated their time and its passing.
Grandad liked to read old paperbacks. Whether it was chosen for him or he chose it, it was a fitting book for his last read. It was a life story imbued with the same old-fashioned notion of common sense that Grandad lived by, and the same refusal to be subversive, crude or despairing. It starts out in typical autobiographical fashion, full of the young doctor’s struggles to succeed in the world. But as the doctor becomes a best-selling writer, the narrative becomes more and more choked with anecdotes until it seizes up altogether in sermons.
I got to Grandad’s bookmark and powered on past it, reading what he had never got to read and thinking how he would have loved the end of the book, as Cronin at the height of his powers looks back on a successful life in a self-congratulatory tone I found difficult.
I got to the last word and shut the book. The book was finished, Cronin was at the height of his powers and Grandad was dead. But Cronin wasn’t really at the height of his powers. I got onto the internet and looked him up. He’d died in 1981, twenty-nine years after he wrote the story of his life. The year I was born. His narrative had started in 1917 when he was 18, the year Grandad was born. The coincidences didn’t lead anywhere, were all vague, but they gave me a sense of appropriateness. The book was finished, the book was out of print, Grandad was dead but Cronin was dead too.
There should be a book for people to read on their deathbed which explains everything. So that you’ve got something to look forward to. The last book you read should be the one which makes sense of life. But what if you lived on too long, finished that book, and then had to start something else? What were the odds of dying at the right time, when you’ve just finished a book? It wasn’t good to leave a book unfinished when you died. Poor Grandad. At least I’d read it for him, that had to count for something.
I had thought that when I finished the book I would want to sleep, but I still felt dissatisfied. I wished I could write in my diary and capture the feelings and thoughts of the day, but I didn’t feel able to. I wanted to listen to the radio, but there was never anything good on that late and it would wake up Anita. She stirred as I came to bed and asked me if I was okay. I told her I was probably more okay than Dad and I was definitely more okay than Grandad.
20 Thursday Aug 2009
Posted in history, Series: Thursday 3pm feature posts (2009)
An Illuminated Life : Belle Costa Da Greene’s Journey From Prejudice to Privilege / Heidi Ardizzone (Norton, 2007)
Pierpont Morgan’s librarian, Belle Costa Da Greene (1879-1950) is a fascinating woman. Her parents were of mixed ancestry – black and white. Her father, Richard Greener, was the first black graduate of Harvard. After early success, he was involved in scandal while ambassador to Russia and returned to the US to live out his life in obscurity. He had become estranged from the rest of his family, who wanted to ‘pass’ as white, while he wanted to stand up for black rights.
Belle lied constantly about her life story; she told people she had Portugese ancestry, and this is what gave her such ‘exotic’ features. Her biographer Heidi Ardizzone writes:
The tactic she would take, whether regarding her ancestry or her affair with Bernard, would be one of misleading openness. Consciously or not, Belle dealt with suspicious about first her ethnicity and now her sexual behaviour by acknowledging, even drawing attention to the rumours and the questions…. This tactic of hiding in the light flirted with true exposure, but it also allowed her the appearance of frankness, which veiled her growing collection of secrets. (207)
Belle was working with Pierpont Morgan’s nephew Junius when he recommended her in 1905 for the post of librarian for Morgan’s library. Morgan had devoted himself to building up a collection of rare books and manuscripts for several years now and his basement was overflowing; he was building a library next to his house to hold his collection.
Perhaps it was Belle’s charisma that persuaded Pierpont to take her on, even though she was a woman in a very masculine world and had no formal qualifications. She proved to be the best librarian one could imagine, building the library into an incredible collection. She was, we are told, brilliant at negotiating prices on rare items, a formidable and lively personality in society both in New York and Europe. She is marked by caprice and unpredictability; at time sounding feminist and yet joining the anti-suffragette movement; shifting from pacifist to vehemently pro-war over the course of the Great War.
It would seem she didn’t want her story told. Ardizzone writes- “But in her generation Belle was not alone in scorning personal history as irrelevant, in destroying personal papers, and in maintaining very different public and private personas.” (9) In her final illness in 1950, she burned all her papers, an act that means many of her secrets will never be revealed. Indeed, it was not until 2007 that a full length biography – this one – was finally published. The biography is built on the letters Belle wrote to her lover and friend of over forty years, Bernard Berenson. He lamented that in burning the letters he sent her, she had destroyed his autobiography; he could not bring himself to do the same to hers, in spite of her request.
Bernard, then, plays a massive role in the biography. It made me think about the difficult task of reconstructing a life, and the way sources skew any portrait. Was Bernard as significant in her life as the biography suggests? We’ll never know, but I would say he probably wasn’t, that he becomes significant as the source behind the biography. He is almost like the narrator of a novel.. and yet not; the letters Ardizzone is working from them are Belle addressing herself to him. Belle is the narrator, but Bernard is the audience.
Her love affair with Bernard has its tragedy. At first, it was a chaste exchange of passionate letters; he was in Europe, she in New York. She was constrained by the shadow of the other man in her life: Pierpont Morgan himself. Morgan was jealous and possessive of her as a twisted sort of father figure in her life; he didn’t want her having affairs with any man and especially not Bernard. Indeed, he didn’t even want her marrying.
But the affair was finally consumated on a trip to Venice in 1910. Ardizzone’s narration of this is unimaginative and anticlimatic after chapters leading up to it. Belle fell pregnant and was sent to London for an abortion. ‘In 1921 she remembered the “really innocent… utter and world-excluding worship I once gave you.” She commented that her ability to have that kind of feeling for anyone ceased to exist “when I left you to go to London,” although she did not realise it at the time.’ (199)
When she returned to New York from London, she was a different woman. While once chastely flirting, she had no inhibitions any longer and, Ardizzone documents, affairs with many men.
One thing I have loved in reading this biography is the strange intersections with famous and unlikely lives. Belle’s lover Bernard Berenson was married to the daughter of the still popular evangelical devotional writer, Hannah Whitall Smith. Hannah’s daughter, Mary, did not share her mother’s morality; she instituted an open marriage with Bernard, only to regret it later when he began his long love affair with Belle. Then there was Belle’s good friend Cardinal Ratti – former head of Vatican library – who became Pope Pius XI in the 1920s. She had friends in high places.
Biographies are a strange narrative. Without the simpler narrative arc of a conventional novel, they draw toward the only ending they can : the deathbed, the funeral, the legacy. The middle of this biography feels as boring as life itself can be: the seemingly endless twists and turns of a love affair between Bernard and Belle, none of them decisive. But then things do change; her endless youth and energy desert her. She grows old, the death of her nephew in World War Two – an unacknowledged suicide – breaks her; she dies.
It was, finally, for me a fascinating story, impressively researched, a remarkable feat, to bring this woman to life in a book. Albeit truncated, distorted, with gaps we would like to fill.
09 Thursday Jul 2009
I’m researching James Sykes Battye (1871-1954) for my novel. He was the first state librarian in Western Australia, establishing what was then called the Victoria Public Libary, now the State Library of Western Australia.
He was only 23 when he was appointed state librarian in 1894, and incredibly he was appointed for life. He stayed on in this role – also in control of the museum and art gallery – for more than half a century, dying on the job in 1954 at age 82.
At the time of his death, the state cabinet was trying to negotiate his retirement; he apparently wanted to stay on. In her thesis on him, Celia Chesney mentions intriguingly that the cabinet was prepared to let him live on in the house attached to the library after his retirement. I am fascinated by this image of an octogenarian librarian clinging to his position, living in the library itself, having ruled the library and the cultural life of the state for the first half of the century, through two world wars and a depression.
Born into a working class Victorian family, he worked his way up the ladder of society. He was heavily involved in the freemasons, an intriguing and disturbing – though commonplace – link for men in high places in Australian society in the early twentieth century. He is best remembered today because the collection of Westraliana in the state library is named after him and because of the cyclopedia of Western Australia he compiled. (I am fascinated by the polymathic nature of prominent people in the early twentieth century; this man having his finger in so many pies is something that’s going to inform one of my characters.)
The picture I’ve got of him from my reading is an ambitious man who started the library well, building an impressive collection and engaging the interest of the public. But a long decay set in as funding dropped during the Depression and the library atrophied. He came to obstinately cling to his position, unable to relinquish the role, unable to admit to himself that his time had passed.
There are two significant sources of information on him. Firstly, the entry in the Australian Dictionary of Biography, written by historian Fred Alexander. Alexander and Battye were not, apparently, always on good terms and one can see evidence of conflict in Alexander’s assessment of Battye’s contribution to UWA:
he rarely revealed constructive imagination and, despite a certain skill and finesse in negotiation, was no match for the subtler academic minds. Partly because of his relatively low public service standing, his achievements as ambassador for the university were limited.
Secondly, an unpublished thesis of 15000 words written for a diploma of history at UWA by Celia Chesney. Called “A man of progress : Dr James Sykes Battye”, it includes a helpful annotated bibliography and is available, of course, in the Battye Library.
11 Thursday Jun 2009
Having turned 90 in January, J.D. Salinger is in the news, suing an author who calls himself J.D. California to prevent him publishing a sequel to The Catcher in the Rye called ’60 Years Later: Coming Through The Rye’.
The novel already appears for pre-sale on Amazon. The publisher is of dubious reputation, and the buzz around the book itself is not positive. If anyone was going to try to pull this off, it would have to be brilliant. As the title suggests, this sequel starts with Holden at 76, apparently losing his marbles and revisiting New York City.
In 2004 on my old blog (which was lost forever when the modblog servers went down permanently back in 2006) I wrote a creative post about a sequel to the The Catcher in the Rye called Holden Rides Again. In my post, I had obtained the manuscript from a girl who was romantically linked with J.D. Salinger’s son, Matty (star of an infamously bad telemovie version of Captain America – I’m not joking, this much is true). I gave a plot outline for the manuscript and was pleased when one person left a comment saying they couldn’t wait for it to be published for real.
J.D. Salinger has said that Holden exists only in the covers of the book; that there’s no more to tell. But for so many fans, myself included, that’s not true. I would love for him to have come alive for longer, to have read more of his adventures, to have found out how such a distraught youth might live the rest of his life.
In The Library of Babel, my new novel, the new draft actually starts with Tom finding a manuscript copy of J.D. Salinger’s sequel to Catcher in the Rye in the rare book room of the library. It’s a move that I’m in two minds about; I don’t want to dwell forever in the shadow of Catcher (characters reference it in my first novel; and originally in my second, one of the characters was named after Jane Gallagher, but this is gone now). But the point was something else – the sequel is about what happens when the angsty sixteen year old has to grow up. What comes next? What comes after deciding everyone’s a phony?
I wanted to situate my novel as an exploration of these themes. I have consciously left behind themes of adolescence and want to write about the mid to late twenties, and the challenges of living at peace with the world, while still trying to be authentic.
I may have to rethink using the sequel to Catcher in the Rye at all. In case it gets edited out, and in light of J.D. California’s hype, here’s my sequel to Catcher in the Rye, in the form of chapter four of the Library of Babel:
Have a read and then vote in the poll, just like reality TV:
06 Friday Feb 2009
Posted in news
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While I’m waiting to hear about my second novel, House of Zealots, I’m working hard on number three – The Library of Babel. I’m doing it as part of an MA at UWA, under the supervision of Dr Van Ikin.
Here’s how I describe the novel in my initial proposal:
The creative work I am proposing for my MA is a novel called “The Library of Babel”, its title borrowed from the short story by Jorge Luis Borges, with reference back to the biblical story of human striving and hubris. It is a magic realist work influenced by Geoff Nicholson and Paul Auster, intertwining the themes of mortality, success and the idea of the library.
The novel is set in a Perth with an alternate history. Early in the twentieth century, a wealthy industrialist named Benjamin Abel builds the world’s largest library in Perth. As part of Abel’s quest for immortality, it sets out to collect everything ever published and preserve everything it can, especially things to do with Abel’s life. By the present day, it dominates Perth, controlling media and publishing, but is mired in decay and inefficiency. It is the Kafkaesque bureaucracy glimpsed in The Castle, only fleshed out.
The protagonist, Henry, enters the library as a cadet. His secret mission is to write a biography of Abel exposing the truth about the man – now a super-centenarian – and his control of the state, his obsession with immortality and his suppression of dissent. For Henry, it is an opportunity to achieve the success which eluded him in the poor reception of his first novel. Yet surrounded by millions of books by forgotten authors, his whole quest is relativised. His predicament is worsened as he realises chasing success threatens both his marriage (as books become more important than his wife) and his integrity (as Abel befriends and tempts him).
The novel is also about the beauty and wonders of this strange library and its treasures, including lost manuscripts of sequels to books like The Catcher in the Rye and heads of celebrities kept in preserving jars hidden in the storerooms of the library.
I had a short story from it published in Studio: a journal of christians writing recently; it’s called “A Week in the Library of Babel” and you can download it either below or on my ‘stories’ page:
