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Nathan Hobby, a biographer in Perth

~ The life of Katharine Susannah Prichard, the art of biography, and other things

Nathan Hobby, a biographer in Perth

Tag Archives: Coonardoo

Re-reading Coonardoo

16 Friday Mar 2018

Posted by Nathan Hobby in book review, Katharine Susannah Prichard's writings

≈ 9 Comments

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Coonardoo

IMG_1177

I reviewed Katharine Susannah Prichard’s Coonardoo back in 2014 and stand by most of my comments. I’ve just finished re-reading it, and want to add some further thoughts.

It’s inevitable that literature is read in terms of its social relevance, praised or blamed for its handling of issues that matter to us as a society now. It’s one of the functions of literature, and it’s a significant one, but it shouldn’t be the only one. It’s a two-edged sword, of course. When Coonardoo was serialised in the The Bulletin in 1928, some readers wrote in angrily about the fact it depicted miscegenation between whites and Aboriginals. (This is an oft-repeated statement; if I get time I’d like to get behind it and see if these and other negative reactions are preserved in the archives anywhere – certainly not in KSP’s papers.) Later, Coonardoo was praised for its progressiveness in representing Aboriginal characters more fully. Continue reading →

Sweet Country

05 Monday Mar 2018

Posted by Nathan Hobby in film review

≈ 3 Comments

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birthday, Coonardoo, Sweet Country

For my birthday, I watched Sweet Country. It’s a brilliant film: beautifully crafted shots, a clever plot working within the conventions of the thriller, and a superb evocation of 1920s outback Australia. It’s the story of an Aboriginal man, Sam Kelly, who shoots a white man in self-defence and goes on the run. At one point the townspeople are watching a travelling screening of the early silent film The Story of the Kelly Gang, and the parallel is a good one: in Sam Kelly, we have an outlaw we can unequivocally cheer on. The actor who plays him, Hamilton Morris, is brilliant. I love the fact that in 2018 we can finally have a film with a middle-aged Aboriginal hero, wise, quiet, and complicated and so alien to every cliche of Hollywood heroes. I also love this film for the way it made me experience the outback, the heat, the beauty, the harsh life. It made me glad to be Australian. It comes just as I’m re-reading Katharine Prichard’s Coonardoo, published the same time the film is set. The whole film feels like a contemporary reworking of Prichard’s outback ouevre from an Aboriginal perspective. For that and many other reasons I recommend it highly.

Coonardoo: preliminary thoughts on its place in Prichard’s work and life

07 Saturday Jun 2014

Posted by Nathan Hobby in book review, Katharine Susannah Prichard, Katharine Susannah Prichard's writings

≈ 2 Comments

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Aboriginals, Coonardoo

coonardoo

Coonardoo (1929) is the novel Katharine Susannah Prichard is best remembered for, a tragedy of the thwarted love between a station owner, Hugh, and an Aboriginal woman, Coonardoo, set in the Pilbara of Western Australia. It was ahead of its time in its depiction of race relations in Australia, and surely confronted Australians with some of the ugliness of their racism at its time; inevitably, by today’s standards, some aspects of the book itself seem somewhat racist, with talk of evolution of races and the ‘primitive’ charm of Aboriginality.

In this novel, Prichard’s narrative voice has shifted significantly from that of Working Bullocks, Black Opal and The Pioneers, all of which are more similar to each other than to this novel. To me, those earlier three novels all have a nineteenth century sensibility and tone, while Coonardoo is decidedly modern. The precedent in Prichard’s own work is The Wild Oats of Han, which appeared the year before Coonardoo, despite being written right back in 1907. Unlike the others, Han is a personal and autobiographical work, and my favourite of her novels so far. But like Coonardoo, its tone is less sentimental and the voice feels more direct; the narrator is further back, without the same sense of presence and control.

One way in which Coonardoo connects to Bullocks, Opal and Pioneers is that each presents a community with at least the capacity to be a kind of paradise, under threat by forces of fate and characters who do not understand the paradise. The paradise could be an opal town where everyone is their own boss, threatened by capitalists, or a timber community threatened by the greed of the sawmill. In Coonardoo, the ‘paradise’ is Wytaliba Station, with its harmonious relationships between the whites and blacks, as set up by Hugh’s mother, Mrs Bessie. The characters who ‘understand’ the paradise love the harsh isolation of the station life and treat the Aborigines with respect; Hugh’s wife, Mollie, does neither. A cardinal rule of the paradise is for the white men not to take the ‘gins’ as a harem, as Sam Geary on the neighboring station has done; it’s partly borne out of rejecting exploitation but also partly out of anti-miscegenation. The community is threatened and ultimately destroyed by both the forces of nature – drought – and Hugh’s inability to cope with this cardinal rule. Before she died, his mother set up an impossible dynamic in entrusting Coonardoo (the character) with the duty to look after Hugh, while also requiring that Hugh not take her as his partner. And so it is that this paradise is doomed, while the previous three hold out against the forces of fate and evil and carry on, albeit transformed, and the hope resting in the next generation. (Of course, we might see a note of hope in Hugh’s daughter, Phyllis, carrying on the station life, albeit on the neighbouring station.)

The novel developed as a genre of the self, the individual; one of Prichard’s achievements is the rare feat of depicting communities convincingly in novels. She is always interested in many different characters, switching rather democratically between viewpoints, and representing the web of interrelations in a community. Most importantly of all, she strives to capture the essence of a community, its ethos and spirit, the values which hold it together.

Like most of Prichard’s novels, Coonardoo resists a biographical reading. She researched the novel in the 1920s, spending time on a station in the North-West, just as she researched opal mining, the timber industry and the circus for other novels. Some biographical questions still presented themselves to me as I read. What significance are we to give her naming the protagonist ‘Hugh’, when her own husband’s name was ‘Hugo’ (admittedly, everyone called him ‘Jim’)? Both are paragons of Australianness; and perhaps like the character Hugh, Hugo/Jim was troubled by demons he didn’t articulate. It would be interesting to discover if Prichard saw herself reflected in Phyllis, who arrives at the station in a ‘borrowed’ car in chapter 23, escaping an affair gone wrong in Perth, and sets out challenging the gender stereotypes of the station, starting with the wearing of trousers. It would not surprise me if these chapters echoed most closely Prichard’s own time on the station. Like Prichard, Phyllis seems determined not to marry, only to find herself charmed by a suitor; the wooing of Phyllis feels a little like Prichard’s description of her own experience in Child of the Hurricane. And finally, speaking of the ‘child of the hurricane’, Prichard’s designation for herself, born in the middle of a Fijian cyclone – Coonardoo and Hugh’s child is referred to as the ‘son of the whirlwind’. Perhaps Prichard enjoyed the resonance between her own origin story and the Aboriginal understanding of whirlwinds giving a child its spirit; or perhaps her own personal mythology even developed in response to this.

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Recent Comments

Harold Coppock on Wandu, the lost manor in …
Faith Peters on Used tea bags for missionaries…
The Red Witch: A Bio… on Signed copies of The Red Witch…
Seasons Greetings, 2… on An A to Z of Katharine Susanna…

Bookmarks

  • Adventures in Biography
  • ANZ LitLovers LitBlog
  • Bernice Barry
  • It only goes up to your knees
  • Jane Bryony Rawson
  • Jenn Plays Recorder
  • Katharine Susannah Prichard Writers' Centre
  • Laura Sewell Matter: Essayist and Biographer
  • Mutually said: Poets Vegan Anarchist Pacifist
  • Resident Judge
  • Speaking Thylacine
  • The Australian Legend
  • Timothy Parkin Poetry
  • Treefall Writing – Melinda Tognini
  • Whispering Gums
  • Wrapped up in books: the home of Guy Salvidge

Top Posts

  • Paul Auster's Moon Palace : an overview
  • [Thursday 3pm #21] Belle Costa Da Greene : 'Girl Librarian'
  • The Joy of Knowledge Encyclopedia
  • Reader's Digest Condensed Books: 'as difficult to dispose of as bins of radioactive waste'
  • The Cruelty of the Game: David Ireland, 'The Great Unknown'

Blog Stats

  • 161,143 hits

Tag Cloud

9/11 19th century 33 1920s 1921 1930s 1950s 1970s 1971 1981 2000s 2004 2011 2015 2017 20000 Days on Earth A.S. Byatt Aboriginals activism Adam Begley Adrian Mole adultery afterlife Agatha Christie Alan Hollinghurst Alberto Manguel Alfred Deakin Amazing Grace Americana Amy Grant An American Romance Andre Tchaikowsky Andrew McGahan angela myers anne fadiman Anne Rice Arabian Nights archives art arts funding A Serious Man Ash Wednesday ASIO atheism Atonement Australia Australian film Australian literature Australian Short Story Festival autism autobiography autodidact Barbara Vine beach Belle Costa da Greene Bell Jar best best-of Bible Big Issue Bill Callahan biographical ethics biographical quest genre biographies birthday birthdays Black Opal Bleak House Blinky Bill blogging blogs Blue Blades Bodega's Bunch bog Booker book launch booksale Borges Brenda Niall Brian Matthews Brian McLaren Britney Spears Burial Rites Burke and Wills buskers C.S. Lewis C.S. Lewis canon capitalism Carol Shields Carson McCullers Catcher in the Rye Catholicism celebrities Charles Dickens Charlie Kaufman childhood Child of the Hurricane children's books Choir of Gravediggers Christianity Christian writing Christina Stead Christmas Christopher Beha Cinque Terra Claire Tomalin classics cliches climate change Coen brothers coincidence Collie Collyer coming of age Communism concert Condensed Books consumerism Coonardoo Cormac McCarthy Corrections cosy fiction Dara Horn David Copperfield David Ireland David Marr David Suchet death Death of a president definition demolition Dennis LeHane dentist diaries divorce doctorow Doctor Who documentaries donald shriver Don DeLillo Don DeLillo Donna Mazza Donna Tartt Don Watson Dostovesky doubt drama dreams of revolution Drusilla Modjeska E.M. Forster ebooks editing Eichmann Eisenstein Elizabeth Kostova email empathy ensmallification existentialism faith Falling Man fame families fantasy fiction film and television folk football Frank Barscombe Fremantle Press G.K. Chesterton Gabrielle Carey Gallipoli genealogical fiction Genesis Geoff Nicholson George W. Bush Gerald Glaskin Gilead Golden Miles Goldfields Trilogy Graham Greene grandad great novels Greenmount Guinness World Records Guy Salvidge Hannah Arendt Hannah Kent Hans Koning Hans Koningsberger Harper Lee Haxby's Circus Hazel Rowley He-Man headers heaven Heidegger hell Henrietta Lacks Henry Morton Stanley Herman Hesse heroes Hey Dad! historical fiction history Holden Caulfield holidays Homer & Langley Home Song Stories House of Cards house of zealots House of Zealots Hugo Throssell humour Ian McEwan In between the sheets Indonesia Infamous Inside Llewyn Davis interstellar interview Intimate Strangers Invisible Ireland ISBNs Ishiguro itunes J.D. Salinger J.M. Coetzee J.S. Battye Janet Malcolm Jennifer Egan JFK JFK assassination Joanna Rakoff Joel Schumacher John Burbidge John Fowles John Howard John Kinsella John Updike John Updike Jonathan Franzen journal writing JSB Judgment Day Julia Baird Julian Barnes Kafka Kalgoorlie Kate Grenville Katherine Mansfield Kevin Brockmeier King's Park KSP Writers' Centre language last ride Laurie Steed Left Behind Leonard Cohen Leo Tolstoy Libra Library of Babel Library of Babel Lila Lily and Madeleine links lionel shriver Lionel Shriver lists literary fiction literature Lleyton Hewitt lost book Louisa Louisa Lawson Louis Esson louis nowra love letter Lubbock Lytton Strachey Madelaine Dickie Man Booker man in the dark Margaret Atwood Margaret River Press Marilynne Robinson mark sandman meaning of life Melbourne Mel Hall meme memorialisation memory MH17 Michael Faber Mike Riddell Miles Franklin mining boom missionaries moleskine Moon Palace morphine Mother Teresa movies Music of Chance My Brilliant Career names Napoleon Narnia narrative Narrow Road to the Deep North Narziss and Goldmund Natalie Portman Nathaniel Hobbie national anthem Nick Cave Nina Bawden non-fiction nonfiction noughties novelists novels obituaries obscurity On Chesil Beach Parade's End Paris Hilton Passion of the Christ past patriotism Paul Auster Paul de Man Perth Perth Writers Festival Peter Ackroyd Peter Cowan Writers Centre phd Philip K. Dick Philip Seymour Hoffman pierpontmorgan poetry slam politics popular fiction popular science Possession postapocalyptic postmodernism Pride prophetic imagination publications Pulp Purity Queen Victoria Rabbit Angstrom radio Radio National Randolph Stow rating: 5/10 rating: 6/10 rating: 7/10 rating: 8/10 rating: 9/10 rating: 10/10 ratings reading fiction autobiographically reading report Rebecca Skloot recap red wine reincarnation juvenile fiction rejection review - music reviewing rewriting Richard Flanagan Richard Ford Rick Moody Roaring Nineties Robert Banks Robert Hughes Robert Silverberg Robert Wadlow Robinson Crusoe Rolf Harris romance Rome ruins Russell Crowe Ruth Rendell Sarah Murgatroyd scalpers science fiction Science of Sleep secondhand books Secret River sermon illustration sex short stories Silent Woman Simone Lazaroo Simpsons Siri Hustvedt slavery Smashing Pumpkins social interactions social justice some people i hate sources South Australia souvenirs speculation speech speeches sport status anxiety Stephen Lawhead Stranger's Child subtitles Subtle Flame Sue Townsend suicide Surprised By Hope Suzanne Falkiner Sylvia Plath Synecdoche TAG Hungerford Award tapes teabags Ted Hughes The Children Act The Cure The Fur The Imitation Game theology The Pioneers The Revolutionary Thomas Disch Thomas Hardy Thomas Henry Prichard Thomas Mann thriller time Tim La Haye Tim Winton Tolstoy Tom Wright top 10 Towering Inferno Tracy Ryan Trove Truman Capote tshirts TS Spivet Twelve Years a Slave underrated writers Underworld unwritten biographies urban myth USA vampires Venice Victoria Cross Victoriana Victorian era Victorianism Victoria Park video Voltron w Wake in Fright Walkabout Walter M. Miller war War and Peace war on terror Water Diviner Wellington St Bus Station Westerly Western Australia West Wing What Happened to Sophie Wilder? Whitlams wikipedia Wild Oats of Hans William Wilberforce Winston Churchill Witches of Eastwick Working Bullocks workshop World War One writers writing Writing NSW youth Zadie Smith Zeitgeist Zelig

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