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For my birthday, I watched Sweet Country. It’s a brilliant film: beautifully crafted shots, a clever plot working within the conventions of the thriller, and a superb evocation of 1920s outback Australia. It’s the story of an Aboriginal man, Sam Kelly, who shoots a white man in self-defence and goes on the run. At one point the townspeople are watching a travelling screening of the early silent film The Story of the Kelly Gang, and the parallel is a good one: in Sam Kelly, we have an outlaw we can unequivocally cheer on. The actor who plays him, Hamilton Morris, is brilliant. I love the fact that in 2018 we can finally have a film with a middle-aged Aboriginal hero, wise, quiet, and complicated and so alien to every cliche of Hollywood heroes. I also love this film for the way it made me experience the outback, the heat, the beauty, the harsh life. It made me glad to be Australian. It comes just as I’m re-reading Katharine Prichard’s Coonardoo, published the same time the film is set. The whole film feels like a contemporary reworking of Prichard’s outback ouevre from an Aboriginal perspective. For that and many other reasons I recommend it highly.