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Nathan Hobby, a biographer in Perth

~ The lives of Katharine Susannah Prichard and John Curtin, the art of biography, and other things

Nathan Hobby, a biographer in Perth

Category Archives: autobiographical

Ten years ago, the Fur

06 Sun Jul 2014

Posted by Nathan Hobby in autobiographical, writing

≈ 3 Comments

Tags

2004, The Fur, youth

fur-invite-scan

Ten years ago today, The Fur was launched. It is a night special in my memory. A reunion of people who knew me, people who I could never imagine all being in the same room as each other. Friends from high-school days, great-uncles, old friends – people I haven’t seen since; my grandparents, still alive. And the literati – so many writers. All there to have me scribble in a copy of my book.

I was living intensely in those days. It was only a month later that I re-met my future wife, on another enchanted evening. We started talking that evening, and just as Paul Auster writes of Siri Hustvedt somewhere, we haven’t stopped since. She has lived with me through the aftermath of The Fur and into the long season of the Difficult Second Novel. ‘Slow down,’ I think she was trying to tell me in the early years of our marriage, or perhaps, ‘Write carefully,’ and it was advice that would take a long time to sink in. Sometimes, being in a rush is what takes the longest time.

I don’t think I’ve read The Fur properly in book form. It would be an eerie, existential act of time-travel, and probably make me sad. (There’d be moments of embarrassment, too, and hopefully a few moments of pride.) I’m always thinking of time passing, and the way things used to be, and the people and places I’ve lost, and the whole novel is the account of a season – youth – now lost to me. It’s probably nearly time to try.

Recaps: constructing pasts from memory

06 Fri Jun 2014

Posted by Nathan Hobby in autobiographical, film review

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film and television, House of Cards, memory, narrative, recap

I’ve been caught up in the US version of House of Cards. You can choose to watch each episode with or without ‘recaps’. I choose with. The recaps shift entirely each episode, highlighting a different thread of the long and involved narrative. You suddenly remember one of the minor characters and the brewing subplot which hasn’t been touched for an episode or two. The recap is determined by the episode you’re in. And the thing is that memory is like that too. Whenever I make a change in life and find myself in a different context, I make a new narrative, dredging up memories which were dormant in the previous episode but now make sense. An example: I moved to an Anglican church last year for the first time in my life. Suddenly I’m seeing new foreshadowings, a book I read at eighteen which nearly convinced me, the times I visited the cathedral with my grandfather the rector. Connections to other Anglicans. I’m finding in the mass of memory a subplot which made this inevitable. The difference is that in House of Cards, in almost any fictional narrative, there are no dead-ends, there are no superfluous events or characters.

So Paul de Man was a fraud and there’s more to literature than lit theory: thanks a lot, postmodernism

08 Tue Apr 2014

Posted by Nathan Hobby in autobiographical

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Paul de Man, postmodernism

In year ten, my English teacher told me about deconstruction. Or at least he tried to; I didn’t get it. He said I should study at Murdoch – they taught lit theory. It was the mid-nineties. I followed his advice a few years later, and found myself plunged into the epistemological crisis of postmodernism. ‘Was there a meaning in this text?’ My lecturers said there were many; it depended on the reader. (There’s some truth in that, as far as it goes.) I spent a year or two quixotically fighting for the idea of a literary canon, and siding with the one brave resistor, Professor Frodsham. After that, I learned to love postmodernism; I liked confounding the other Christians on campus by insisting it was the way forward.

It feels, looking back, that there truly was an impoverishment in my English major. The impoverishment was the divorce of literature from history, from the social and cultural and biographical backdrop from which works emerge.

It would seem today that the tide has turned on lit theory as the primary approach to literature. The new interest in reception history has reconnected the text to history, but now with a new interest in the readers of texts which postmodernism helped us find.

The new biography of the literary theorist, Paul De Man, is attracting much attention. A hero of my undergrad lecturers is now denounced as a fraud:

Barish, like others before her, proposes a link between his negation of history and his career of deception, between his denial of the continuity of the self and his suppression of his own past… between his insistence that the written or spoken word never tells anything about the intention of its originator and his assumption of a new identity. This is certainly plausible, but I would also like to suggest a different kind of continuity between de Man’s mode of operation as a literary theorist and his mode of operation as a con man. It has to do with his style. In his writing, abstruseness, bristling abstraction, and a disorienting use of terms make his essays often difficult to penetrate. This was part of the key to his success: to his American admirers, with their cultural inferiority complex, it seemed that if things were difficult to grasp, something profound was being said.

This final comment rings true for a number of the theorists I read. Being older now, I’m no longer bound to an absolute position on anything, even postmodernism. It has its important insights; but, of course, it wasn’t the final word. And sometimes it was the emperor’s new clothes. It excites me, now, to reconnect literature to history, to believe in the possibility of recovering the past, however imperfectly. And this is why my next book is to be a biography of a writer.

Burying Uncle Philip

07 Mon Apr 2014

Posted by Nathan Hobby in autobiographical, death

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autism, death

phil-winning

Today we buried Uncle Philip at the Harvey Lawn Cemetery. It would be hard to say where his home was; he moved around a lot. I think he did live in Harvey a short time, at some stage. He died in Bunbury, but that’s mainly because the hospital was there. It often happened that he would get upset at his neighbours and move to a different town. He was probably autistic, and he liked his routines and his own company. Philip loved not horses (as his name means) but dogs, and he didn’t like being around people.

At other funerals, it seems wrong that the person himself is not there. But for Phil, his absence seemed appropriate; he didn’t turn up to social events. I should have appreciated how significant it was the times I saw him at his brothers’ weddings, at his dad’s 70th birthday, at a couple of Christmases. These wouldn’t have been easy appearances for him.

His middle name comes from his grandfather, an architect of some note in Perth who raised his family in a beautiful house on the foreshore at South Perth. I wonder what the architect would have made of his grandson living much of his life as part of the welfare underclass in WA? If the wealthy are not often a single generation from destitution, they can easily be two generations away from it.

All the time I knew him, Phil struggled with his weight. It pains me that my first memory of him was asking him, when I was about five, ‘Why are you fat?’ Dad took me aside and said that was not something you asked someone. I didn’t understand. Philip was a shy, sensitive man, and I hope he forgot or forgave me.

He didn’t want to hear about God. I’m not sure whether that was out of incredulity or a sense that this is not a world with much good news in it. I cannot fathom a God who would, in an afterlife, deepen and perpetuate the miseries of those who have suffered in this life, confirming their despair that life was hopeless. Weren’t Jesus’ great warnings about reversals of fortune? The mighty laid low, not the lowly laid lower?

I think Philip Alexander Winning (1953-2014) should appear somewhere on the internet, if only here, on this blog. He loved his dogs, each of them his companion for a decade or so of his life; their names were Sam, Barney, Pippa, and Toby. A photo of Toby went down into the grave with him. He liked camping with his brother, he liked walking the dog on the beach, and he liked doing his own thing in his own way.

Thirty-three

05 Wed Mar 2014

Posted by Nathan Hobby in autobiographical, music

≈ 3 Comments

Tags

33, Pulp, Smashing Pumpkins

In the late nineties I was obsessed with The Smashing Pumpkins. (So was everyone, but not many like me – I lived by their songs, lodged as they were in my adolescent soul.) I have liked their hopeful-but-melancholic song “Thirty Three” since that time.

Tomorrow’s just an excuse away
So I pull my collar up and face the cold, on my own
The earth laughs beneath my heavy feet
At the blasphemy in my old jangly walk

Lately I have had this theory he must have been writing about turning thirty-three. It all seemed so true in my head. I was to finally understand the mood of the song, having reached his age. But I had it wrong. I just checked; Billy Corgan was born in 1967, making him just 28 when the album was released. These days, obscure song titles don’t seem as clever to me as they did back then.

Anyway, I don’t have to face the cold on my own, that’s not what thirty-three is about. That’s what being sixteen was for.

Jarvis Cocker of Pulp certainly wrote about being thirty-three, there’s no misinterpreting him in “Dishes”, his song about having the same initials as Jesus:

A man told me to beware of 33.
He said, “It was not an easy time for me” but I’ll get through even though
I’ve got no miracles to show you.

It wasn’t an easy time for Jesus, obviously, it being his last year on Earth. For several years I’ve thought that I’m not that old, given I was younger than Jesus. This defence is no longer open to me.

I have a lot of things I want to do this year. I feel like shouting Miss Brodie style, “I’m in my prime!”. Trying to enjoy it while I can.

Eyesore, I saw: memories of the Wellington St Bus Station

14 Fri Feb 2014

Posted by Nathan Hobby in autobiographical, Western Australia

≈ 6 Comments

Tags

demolition, Perth, Wellington St Bus Station

WellingtonStBusStation2001

They began demolishing the Wellington St Bus Station yesterday. I might be the only person sad about this, and in my case, it’s all for sentimental reasons. I’ve spent a lot of time at that bus station since I moved to Perth as an eighteen year old in 1999. It has been an ugly, dingy thing of concrete and tin all that time.

For the first time in ages, I caught a bus into the city a few Saturdays ago, forgot to get off at my stop, and ended up at the station. I didn’t even realise it was its final day, but it was an appropriate co-incidence. The kiosk I worked at for four years was shut up. The place was deserted. I walked through, and tried to breathe it all in for a last time.

The station was opened in 1973, a year which has seemed pivotal to me. The year the fur hit Western Australia in my novel, the year my favourite poet W.H. Auden died, the year my ex-girlfriend was born, the year Peter Parker’s girlfriend, Gwen Stacy died in the Amazing Spider-Man.

I worked in that little kiosk within the station every Saturday (except the week of Christmas) from 1999 to 2003. History will not remember it. It was a nondescript place, inexplicably named “R&J Gourmet Deli”, even though the owner’s name was Anne, and it sold nothing more gourmet than a ham and salad roll alongside every standard variety of cool drink and chocolate bar.

The photo above is taken from the counter. I’m glad I wrote on the back. ‘Sat 18/6/01 This morning at work it just started pouring. It was delicious, all that wet.’ That would have been a few weeks after my Ian Pop’s funeral, the first time I’d lost anyone.

I went through the gamut of emotions, cooped up in the kiosk all day each Saturday. It helped pit me against the world, working as everyone else seemed to be at leisure. I felt, in turn, depression and fascination with the world I observed.

It was the characters I remember most strongly. Victor was an elderly Burmese man, who wore an old suit and would come to buy a cup of tea each day. He was usually on his way to sit in a park or the cathedral and meditate on the teachings of Buddha and Jesus. He would take my hand and offer me his blessing, often repeating his favourite saying – ‘Better a day spent in virtue and meditation than a lifetime in vice.’ On my shelf I still have a little book he gave me one day of the sayings of Buddha.

There was another guy, I can’t remember his name, who was a relentlessly optimistic small time crook. He loved to show off to me, but in a rather unassuming way. He was a short guy, with a lot of swagger, a lot of friendliness, and an American baseball jacket. One day he declared he had a new girlfriend; she was fifteen, he proudly told me. The next week he said they were trying to get pregnant. I asked him if that was a good idea.

And then there was Gerry, the self-declared ‘world’s happiest bus driver’. He’d been a car dealer, lost the lot in the recession in the nineties, and blamed Keating, who he hated daily. But his therapist had helped him recover, and now he went around loudly driving buses, being very deliberately happy.

I would listen to Radio National and write poems on pie bags. I would breathe in the fumes, and get over two break-ups in those four years. I’d eat too much chocolate, and go from being a skinny kid to overweight. I knew exactly what I wanted in those years, everything was so very clear.

Forgetting to bcc, time travel to a different season

11 Fri Oct 2013

Posted by Nathan Hobby in autobiographical, technology and the digital world

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email

Recently I got a mass-email from this guy who went overseas years ago. He forgot to do a blind carbon copy, and all the email addresses were visible – a snapshot of his address book from 2004 or so. It was time-travel, the sight of all these email addresses next to each other. A window to a season of my life. Everyone’s scattered now, all these young christian leftists brought together by the Iraq War protests. Do they even use these same addresses any more? You won’t ever catch them all in the same room again. Too many schisms, divorces, deconversions, metamorphoses. That’s what your twenties do to you.

*

You can tell things about people from their email addresses. Older people (Baby Boomers +) usually have ISP addresses – iinet, bigpond – and it’s usually in the name of the husband, even if the wife uses the account. (How many people sixty plus have you met with a gmail address?) People with a ‘hotmail’ address have had their address an awful long time. Attention-seekers have an attention-seeking email address. The great transition in my life, the change in epochs, was when I changed from ‘savageparade’ (it’s a quote from Rimbaud) to my name. I am pretty certain I changed personality at that moment.

The Tourist #6: The Soundtrack To My Holiday

07 Mon Oct 2013

Posted by Nathan Hobby in autobiographical, music, Series: The Tourist (2013)

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buskers, Cinque Terra, The Cure

My music collection is on my laptop; I took with me my tablet, with just 150 of my 3778 songs. Who knew 150 songs would come to feel like so few, repeated again and again over the headphones and through the slivers of speakers? It feels like so few when I keep skipping half of them, and going back to the same few. Lisa Mitchell, “Land Beyond the Front Door”. Mazzy Star’s droning shoe gazing rock each time the coach guides put on their music. The comfort of Nick Cave’s title track “Push the Sky Away” without the rest of the album.

Then there were the buskers. Both times we walked to the basilica in Florence, the electric violinist was waiting for us in the square. She was trying to be Andre Rieu; my wife, a violist, hates Andre Rieu. In the busker’s own version of soulfully (sentimentally) she would play those overfamiliar classical pieces, and then throw in renditions of pop songs like Queen’s Bohemian Rhapsody. It was a kind of interesting torture standing in the queue.

I wanted to reward the buskers I thought were good. Above the ruins of the Roman Forum, a handful of Italians were playing catchy songs in their own language. I went up to put a Euro in their plate; the lead singer put his arm around me, wanting to know where I was from, and dragged me back, insisting my wife take a photo of me with them. He put his hat on me. She took the photo; I went to put a couple of Euros in his plate and escape, but his voice changed – it was 10 Euros for a photo! He was insistent, angry. We started walking away quickly; it was an unpleasant encounter, left me cautious of the buskers.

A musical highlight. In Cinque Terra, walking one morning between Vernazza and Monterosso along the cliffs, glorious saxophone music floated toward us. We came around the corner and the player, a man of seventy, was standing on a rock above the narrow, isolated path. I should have given him so much more than I did.

The other musical highlight. Arriving in Rome after a long day’s bus ride, late at night we venture out for a walk to the Pantheon, right near where we were staying. As we come to the massive ancient edifice, the Cure’s “Charlotte Sometimes” is playing so loudly, so freshly, the moment is so enchanted, that I tell my wife, “They’re playing a concert, right now, outside the Pantheon – we’ve stumbled on a free Cure concert!”. It seemed the sort of thing Robert Smith might do, but it does sound a little far-fetched, writing it down. It wasn’t the Cure, it was a taxi driver on his break, with an excellent sound system and the door of his taxi open. It was still magical, beholding the ancient pillars against the night sky to the sound of my favourite band, an unlikely but befitting soundtrack.

Sometimes I’m dreaming
Where all the other people dance
Sometimes I’m dreaming
Charlotte sometimes

The Tourist #4: The Pleasure of Ruins

17 Tue Sep 2013

Posted by Nathan Hobby in autobiographical, Series: The Tourist (2013)

≈ 2 Comments

Tags

childhood, Rome, ruins

 
image

  Sitting on my shelf at home is a book, bought at a booksale two or three years ago, I am looking forward to one day reading: ‘The Pleasure of Ruins’.
   We are staying in a medieval apartment a few hundred metres from ancient ruins of Rome, and we have spent today looking at them. We saw great marble pillars fashioned at the time of Christ, inscriptions which have lasted centuries, the skeletal remains of the grandeur of an empire, the bricks and broken stones of it.
   As a child, I thought I was fascinated by archaeology, but more than that I was fascinated by ruins. Today I realised the photos in books about ruins present an idyll which is not otainable in the real world. The viewer of ruins is an explorer cutting through the overgrown forest to come across the ruins, the first to lay eyes on them for centuries. From a perfect angle, in beautiful light, the ruins shimmer and fill the viewer with a kind of longing which is hard to explain.
The idyll of ruins is the quester contemplating the fate of Ozymandius in solitude and silence. The reality of Rome’s ruins is the viewer in a sea of tourists, all straining to have their ruins experience, or at least a good photo of them. The reality is iron bars and fences and signs and relentless sellers of novelty toys and souvenirs.

*

This is just an observation; the truth is that today my inner-six-year-old was elated, which is to say my whole self was elated, because I have never lost my love of ruins. (All three of my novels are partly about ruins. In ‘The Fur’, it is a whole state in ruins, the beauty of abandoned towns and houses in a plague. In ‘House of Zealots’, the ruins are obscured, but the whole novel was inspired by the mood of living in a rundown house from 1950 which was one step off being abandoned to squatters, a contemporary ruin. In ‘Immortalities’ the ‘ruins’ are the archival remains and traces which individual lives leave behind, waiting for the quester to piece them together. I wonder how different my interest in ruins would be if I lived in Europe where the ruins are ancient?)
I had my moments of contemplation jostling among the tourists, my moments of connection to the past. In fact, it was an overwhelming dose of ruins – it seems too much for one person to be allowed to experience in one day.

*

Wasn’t it the Romantic period when the beauty of ruins was recognised? (I will find out for sure when I finally read that book which awaits on my shelf back home.) Faux ruins were created, and others ‘improved’ to make them more picturesque. It is an instinct I fully understand. I hope they do not attempt to restore too many of the grand crumbling monuments and buildings I saw today – it is more poignant to see them as time has rendered them. Recover and preserve, but not to make them shiny and new. Leave the weeds growing out of the old bricks. Leave them with their sense of centuries which we cannot have ourselves.

The Tourist #1: Reflections on Photography and Tourism

08 Sun Sep 2013

Posted by Nathan Hobby in autobiographical, Series: The Tourist (2013)

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When I was a child, Dad’s advice used to be: make sure you have someone in the photograph; otherwise you might as well buy a postcard. His advice rested on the idea, perhaps, that each photo of a sight was interchangeable. In the age of the internet, it seems advice which needs updating.
But perhaps he was right – what does my photograph of the Eiffel Tower mean to people who are not me? Everyone knows what it looks like. For people who are interested in me, seeing me in the frame adds something to it; Dad’s advice holds up. And then perhaps if it’s artful or striking or unusual in some way it might be worth looking at on its own terms.
On the other hand, perhaps photos are not for others at all. Perhaps they are for the self – a record of where one has been, what one has seen. A prompt for memory, or probably more likely, they become a substitute for the memory itself. Or not quite either of these ways of saying it – perhaps we can say the photo becomes canonical for how the moment is remembered.

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Miller war War and Peace war on terror Water Diviner Wellington St Bus Station Westerly Western Australia West Wing What Happened to Sophie Wilder? Whitlams wikipedia Wild Oats of Hans William Wilberforce Witches of Eastwick Working Bullocks workshop World War One writers writing Writing NSW youth Zadie Smith Zeitgeist Zelig

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Coetzee J.S. Battye Janet Malcolm Jennifer Egan JFK JFK assassination Joanna Rakoff Joel Schumacher John Burbidge John Fowles John Howard John Kinsella John Updike John Updike Jonathan Franzen journal writing JSB Judgment Day Julia Baird Julian Barnes Kafka Kalgoorlie Kate Grenville Katherine Mansfield Kevin Brockmeier King's Park KSP Writers' Centre language last ride Laurie Steed Left Behind Leonard Cohen Leo Tolstoy Libra Library of Babel Library of Babel Lila Lily and Madeleine links Lionel Shriver lionel shriver lists literary fiction literature Lleyton Hewitt lost book Louisa Louisa Lawson Louis Esson louis nowra love letter Lubbock Lytton Strachey Madelaine Dickie Man Booker man in the dark Margaret Atwood Margaret River Press Marilynne Robinson mark sandman meaning of life Melbourne Mel Hall meme memorialisation memory MH17 Michael Faber Mike Riddell Miles Franklin mining boom missionaries moleskine Moon Palace morphine Mother Teresa movies Music of Chance My Brilliant Career names Napoleon Narnia narrative Narrow Road to the Deep North Narziss and Goldmund Natalie Portman Nathaniel Hobbie national anthem Nick Cave Nina Bawden non-fiction nonfiction noughties novelists novels obituaries obscurity On Chesil Beach Parade's End Paris Hilton Passion of the Christ past patriotism Paul Auster Paul de Man Perth Perth Writers Festival Peter Ackroyd Peter Cowan Writers Centre phd Philip K. Dick Philip Seymour Hoffman pierpontmorgan poetry slam politics popular fiction popular science Possession postapocalyptic postmodernism Pride prophetic imagination publications Pulp Purity Queen Victoria Rabbit Angstrom radio Radio National Randolph Stow rating: 5/10 rating: 6/10 rating: 7/10 rating: 8/10 rating: 9/10 rating: 10/10 ratings reading fiction autobiographically reading report Rebecca Skloot recap red wine reincarnation juvenile fiction rejection review - music reviewing rewriting Richard Flanagan Richard Ford Rick Moody Roaring Nineties Robert Banks Robert Hughes Robert Silverberg Robert Wadlow Robinson Crusoe Rolf Harris romance Rome ruins Russell Crowe Ruth Rendell Sarah Murgatroyd scalpers science fiction Science of Sleep secondhand books Secret River sermon illustration sex short stories Silent Woman Simone Lazaroo Simpsons Siri Hustvedt slavery Smashing Pumpkins social interactions social justice some people i hate sources South Australia souvenirs speculation speech speeches sport status anxiety Stephen Lawhead Stranger's Child subtitles Subtle Flame success Sue Townsend suicide Surprised By Hope Suzanne Falkiner Sylvia Plath Synecdoche TAG Hungerford Award tapes teabags Ted Hughes The Children Act The Cure The Fur The Imitation Game theology The Pioneers The Revolutionary Thomas Disch Thomas Hardy Thomas Henry Prichard Thomas Mann thriller time Tim La Haye Tim Winton Tolstoy Tom Wright top 10 Towering Inferno Tracy Ryan Trove Truman Capote tshirts TS Spivet Twelve Years a Slave underrated writers Underworld unwritten biographies urban myth USA vampires Venice Victoria Cross Victoriana Victorian era Victorianism Victoria Park video Voltron w Wake in Fright Walkabout Walter M. Miller war War and Peace war on terror Water Diviner Wellington St Bus Station Westerly Western Australia West Wing What Happened to Sophie Wilder? Whitlams wikipedia Wild Oats of Hans William Wilberforce Witches of Eastwick Working Bullocks workshop World War One writers writing Writing NSW youth Zadie Smith Zeitgeist Zelig

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