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Nathan Hobby, a biographer in Perth

~ The lives of Katharine Susannah Prichard and John Curtin, the art of biography, and other things

Nathan Hobby, a biographer in Perth

Category Archives: autobiographical

Athletic

02 Mon Oct 2017

Posted by Nathan Hobby in autobiographical, Daily Prompt

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Allanson

https://dailypost.wordpress.com/prompts/athletic/

Athletics carnivals of course, that’s the first thing which comes to mind – the primary school ones. First the faction carnival and then the inter-school. Allanson wasn’t big enough to hold our own faction carnival; we competed as one faction against four Wilson Park factions and we still always, reliably came last. But then we would sometimes win the Forrest District Small Schools Association carnival held on the double-geed ovals of little country localities in southwest WA. Continue reading →

My childhood career as an archaeologist: Westerly Crossings

29 Sat Apr 2017

Posted by Nathan Hobby in autobiographical, links, memoirs, writing

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Westerly

Westerly-Crossings

I have a two-page memoir called “Archaeologist” in the new special issue of Westerly. It’s a free download in pdf or epub from https://westerlymag.com.au/issues/westerly-crossings/.

Editors Amy Hilhorst (UWA) and Owen Bullock (University of Canberra) write in the introduction:

This special issue of Westerly is a collaboration between the creative writing students of the University of Western Australia (UWA), and those from the International Poetry Studies Institute (IPSI), based at the University of Canberra (UC). It aims to showcase and celebrate the creative and critical work conducted by current or recent postgraduates, and undergraduates, at these two institutions. Reaching across the Nullarbor from west to east, this issue offers a snapshot of some of the best writing from the respective corners of Australia. In curating this material together, we aim to foreground the connections and contrasts in the stories of our students. These short stories, novel excerpts, essays and poems have been commissioned by co-editors who are also completing postgraduate study. It is, then, an issue for students and by students, and aims to give readers an insight into the exceptional standard of work being written in the postgrad study rooms, shared offices and library carrels of UWA and UC.

I’m looking forward to reading the other contributions. Many of the UWA writers are part of the Words and Thoughts postgrad creative writing group with me.

I wrote my piece just after my son was born in 2015. I was suddenly taken with a desire to remember my childhood. I was originally imagining an entire book-length memoir of occupations I have dreamed of / abandoned / actually done, including not just archaeologist, but the Phantom, lawyer, pastor, novelist, counterhand, librarian, and biographer. But I only wrote the first one; its another book that I’m not going to write just yet.

Happy 100th birthday, Ron Pop

15 Wed Mar 2017

Posted by Nathan Hobby in autobiographical

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grandad

Meekatharra Hobby Joe Annie Ron Ivy about 1935

The Hobby family ca. 1935 in Meekathara, Joe and Annie (centre) with children Ivy (left) and Ron (right)

Today is the 100th birthday of my late grandfather, the Reverend Ron Hobby. He was a complex man, and since he died in 2006, I’ve spent a long time thinking about him.

Grandad’s parents weren’t married when he was born. A hundred years later, it’s not a big deal, but it was then. He never told his children or grandchildren, but I think he was painfully conscious of it and felt ashamed. I think he felt he had to prove himself to the world. He did this by working relentlessly. He was an Anglican minister and Granny used to tell the story of how the one time he had no engagements in the evening, he checked through the pew sheet to see if there were any meetings he could attend. He ended up heading off to the parish’s Mothers’ Union. Even if the story isn’t literally true, my dad says they didn’t see much of him when they were kids. So many people who have been around WA Anglican circles from the 1950s to the 1990s remember my grandad. He used to say he wasn’t much of a preacher, it was the other parts of ministry he was gifted in. He was energetic, determined, and caring.

Most of the stories about Grandad are too vague or disconnected in my memory. He lived in many places, mainly in Western Australia, and had many phases of life. He trained with the Claremont Football Club colts in the 1930s but gave football up to train for ministry. He worked as a miner to support his mother after his father died. He helped build a shell-brick chapel with his bare hands at Shark Bay. He went back to university in the 1970s and completed a bachelor of social science at WAIT, for which he liked to say he had to pretend to be a Marxist. He was tough. In his late seventies he went on a hike of a week or two by himself in Tasmania. He seemed to me like a pioneer, a connection to the settler days. He told the story of his mother or grandmother walking some great distance from Esperance – was it to Kalgoorlie? He told the story, too, of his great bike ride from Meekathara to somewhere across the desert. He liked anecdotes; I don’t think he was keen on self-reflection or confession.

I lived with my grandparents when I came to Perth to study in 1999. I look back with gratitude that I had a chance to get to know them. We talked a lot about politics and religion as my worldview shifted leftwards. After I moved out, Granny once said that I should come around more often, Grandad came more alive when he was debating me. I asked my uncle later about the debates he’d had with Grandad, but he said he never did. I may have been the only one who dared debate him, my uncle said. Grandad was fragile as well as tough. I wrote something on holy communion once which made him furious and, having inherited his stubbornness and conviction that nothing matters more than truth, I dug my heels in. We fell out again soon after over what occupation I should be doing.  I would handle Grandad differently these days.

I had visions of writing a biography-memoir of Grandad in time for his centenary. It would be my way of keeping his memory alive and understanding him better. I’d combine my own memories with historical research. But now he’s one hundred and I haven’t written that book and I don’t see myself doing it anytime soon.

However, his WA-based descendants are gathering for a reunion on Saturday. And my dad, who has been working on family history for years, is putting together what he’s discovered about Grandad’s life for the day. There’ll be twenty-three of his thirty or so great-grandchildren. He only lived long enough to see one great-grandchild; he would be so pleased to see the herd of descendants now growing up. I hope in time my own son, Thomas, who bears Grandad’s surname, will be interested in my stories of him and can feel some sort of connection to him, dead as he is.

 

Closing down: a walk along Albany Highway

05 Sun Mar 2017

Posted by Nathan Hobby in autobiographical, Western Australia

≈ 14 Comments

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Perth, Victoria Park

I moved to Perth from the country when I was eighteen to study and haven’t left. I’m thirty-six today, which means I’ve now been here half my life. I’ve lived in nine different suburbs from North Lake in the south to Lesmurdie in the hills, but it’s Victoria Park in the inner-city which has become home. My brother and I moved into a decaying weatherboard house in East Victoria Park in 2002. It was before the boom, and it cost $120 a week. There was a hole in the bedroom wall and the feel of the 1950s still in the old carpet and fittings and the overgrown quarter-acre backyard. We were shocked at the price – far beyond us – when it was put up for sale for $350,000 the next year. After a few years in share houses in East Victoria Park until I got married in 2006, it took six years to get back to the area, but Nicole and I had often thought we probably would, and now we’ve been back in Victoria Park for five years. Continue reading →

Leonard Cohen: A Memoir

11 Fri Nov 2016

Posted by Nathan Hobby in autobiographical, music, Uncategorized

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Leonard Cohen

I loved Leonard Cohen most when he had fallen into neglect. The time at the turn of the century when he was still out of fashion. The men behind the counters of vinyl shops in Perth met his name with derision. “What would you want to listen to that for?” demanded the owner at the underground one in Fremantle who always checked what you were looking for as you came in. “Music to slit your wrists to!”   For a time, I played Cohen’s albums obsessively. The artists who mean the most to me always make me feel we share a special understanding. Of course, any sense of reciprocity in that is an illusion.

One of his verses gave me comfort in a break-up, even if the sentiments were aspirational rather than true.

I don’t mean to suggest
That I loved you the best
I can’t keep track of each fallen robin
I remember you well in the Chelsea Hotel
That’s all, I don’t think of you that often

I ordered his novel The Favourite Game, then only in print in Canada, and thought it a brilliant novel. I’ve been meaning to re-read, but I hesitate, because it’s no longer the right season to be reading it.

I wrote my second (failed) novel in thrall to him, calling my main character “Leo” in tribute. For a time, it was titled “The Revolution’s Pride” from a line in “Diamonds in the Mine.” His song “Famous Blue Raincoat” shaped the plot and the feel of that novel. It was the song I listened to more than any, and it seemed so perfectly sad and beautiful.

Yes, and Jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear
Did you ever go clear?

When I married a musician, she told me he didn’t sing in tune. I couldn’t really tell, but I wasn’t surprised. His songs were poetry, and they were a mood, and perhaps even a mode.

I never thought I’d see him play, but I did. It was at the Sandalford Winery on 7 February 2009. Just before I was due to leave – I was going alone – a parcel arrived. The courier must have been working overtime. It was my publisher, returning the manuscript of that failed second novel. It was, actually, the moment its failure became apparent after working with them on it for five years of back and forth. I felt like I’d been punched in the guts and I was miserable as I listened to Leonard Cohen on the grassy bank in the heat.

He was in fashion again – which I’m glad of, for his sake – and all the baby boomers of Perth were there to hear him. They were all big fans, they all knew the words to “Hallelujah.” I’d always imagined that I’d see Cohen in a dingy bar strumming his guitar solo, an intimate performance to a gathering of hardcore fans. This concert was the opposite of that, a huge line-up of musicians and dancers on stage transforming his sound.

Stuck in a traffic jam trying to leave in the hot dark, the radio had rolling coverage of massive bushfires in Victoria. I couldn’t believe the things they were saying there in the dark, whole towns burnt, so many people dead. It felt the world was coming to an end. Cohen’s contemporary, John Updike, had just died too. Updike and Cohen were always on this list in my head of heroes whose demise I await with dread. But Cohen lived on and I lived on and incredibly he even gave us three more albums. It’s only now that day has finally come and he joins that long list of celebrities who didn’t survive 2016. Perhaps it will always be remarked that the news of his death came as the world reeled from Trump’s election win. “Hey, that’s no way to say goodbye.” But it was. In public terms, he died as well as a man could. Thank you Leonard Cohen for all you gave us.

The incredible shrinking novel which became a short story

18 Tue Oct 2016

Posted by Nathan Hobby in autobiographical, Series: Short Stories (2016)

≈ 2 Comments

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Australian Short Story Festival, house of zealots, The Fur

Post #7 in my Australian Short Story Festival series

In my writing career, I have had the triumph of a short story which became a novel – a familiar enough transformation – but also the tragedy of a full length novel which only ever saw publication as a short story. There’s nothing tragic about short stories, of course, but generally a writer doesn’t like to spend twelve years on one. Continue reading →

Re-reading my first short story 20 years later; or, confessions of a coal-powered writer

01 Sat Oct 2016

Posted by Nathan Hobby in autobiographical, Series: Short Stories (2016), writing

≈ 4 Comments

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Collie, science fiction

Post #1 in my Australian Short Story Festival series

I have a confession to make: the beginning of my literary career was powered by coal company. The arts festival presented by Griffin Coal is a big event in the life of Collie, the coal-mining town in the south-west of WA where I grew up. Winning second-prize in the open category of the 1996 Griffin Festival Literary Awards at the age of fifteen – beaten by my drama teacher – made me think I could be a writer. Continue reading →

The meaning of turning thirty-four: a miscellany

05 Thu Mar 2015

Posted by Nathan Hobby in autobiographical

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birthdays

Soren

I walked around the lake next to my dead grandparents’ house. I saw Wild, the morning session, with the waifs and strays who watch movies in the morning. Then I asked the internet the meaning of turning thirty-four. Continue reading →

Remembering the Collie Saints: reflections of the 1996 Under 16s Most Improved

22 Sun Feb 2015

Posted by Nathan Hobby in autobiographical

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Collie, football

The captain of the Collie football team was in court last week, escaping jail after being convicted of kneeing an opposing player in the face during a game. I grew up in Collie, a coal-mining town fifty kilometres inland from Bunbury, two hundred kilometres south of Perth. I played football for a year, too, and going through a packing box which has sat in our spare room for two years, I recently found my trophy for Most Improved, Collie Saints under sixteens in 1996.

That year of football was a culmination of my three years at the high-school. It was a rough school, where fists ruled, and kids were brutal to each other. I took up playing football after years of hockey because we’d done football in phys-ed class in year nine, and everyone was amazed that I was one of the better players, at least against boys who mostly didn’t play. The ones who did play were inviting me to join their team; it was half a joke, because I was a nerd, and so very skinny. A second reason: I wanted to be consistent. I watched football on television with my dad and brother every weekend, and I collected football cards. It seemed inconsistent to not play.

There were two teams, the Collie Saints and the Mines Rovers, and you had to choose. The rivalry was not just friendly; it was more defining than religion or ethnicity. I chose the Saints, because I liked St Kilda. In the clubroom, there was a picture of an aerial mark from the sixties, with a caption, “The closest a Collie Saint will ever get to heaven,” disturbing for an earnest Baptist.

I wasn’t prepared for the violence of the game, the constant, bruising physicality of it. It was a test, and I endured, but not easily. The first game on a Friday night was a derby against the hated Mines Rovers Eagles. We had a full team that week, bulked up by five or six good athletes who came just for the derby. I was in the front pocket, and panicked the one time the ball came to me, kicking it out of bounds. The rest of the season, I was moved to the back pocket, usually finding myself pitted against solid behemoths on the other team. I was reasonably effective, with only one or two goals scored by my opponents in the whole year. Once when we were losing badly, one of the dads at half-time pointed at me and said, “Look at this kid – fuck-all skills but there he is trying his guts out. Can’t you at least do that?” I nearly cried; it was a harsh compliment.

Our team didn’t do well; that first derby match was one of the few we won, as our undermanned team played in the mud of country town ovals each week against stronger, better teams. There was a strong sense of camaraderie, though; we were warriors together.

At the end of the year, our family moved to Bunbury. I trained a few times with the South Bunbury team the next year, and coming home with bruises, exhausted by all the running, I asked myself why I was doing it, and I realised I didn’t know. I quit football, not just the playing, but the watching. In the years since, I’ve developed an allergy to the dominance of football in Western Australian culture.

*

Some time after I left, the two struggling Collie football clubs merged, and became one very strong club, the Collie Eagles, winning premiership after premiership in the league. Perhaps in having to swallow old rivalries, a new peace exists in the town and in the school.

I haven’t been back to Collie much. My childhood has this extra layer of distance from me, having grown up in a place I no longer have ties to, even though it lies just up the hill from where my parents still live. It seems a strange place for me to have grown up.

The greatest song forever, for now: from Amy Grant’s “Prodigal” at the end of the tape to my five-star itunes playlist

24 Thu Jul 2014

Posted by Nathan Hobby in autobiographical, music

≈ 6 Comments

Tags

Amy Grant, itunes, The Cure

Amy-Grant

In 1991 the greatest song of all time, bar none, was Amy Grant’s “Prodigal”. It’s a beautiful piano ballad, a song about waiting for a loved one to return. It was at the end of my cassette tape of the album Unguarded (1985), which I’d saved up my pocket money for two months to buy, and Dad warned me if I played the same part over and over, it’d wear out. So I had to listen to the whole tape to wear it evenly, all those bouncy aerobic songs of mid-80s pop till I got to that Greatest Song of All Time. I’ll be waiting, counting the days, until I finally see your face. I knew Amy Grant was waiting for me, somewhere, waiting, probably for me to hit puberty and not be ten years old.

These days, my music collection is managed by itunes, and I studiously rate all additions to my library. Being an impartial judge of music, my ratings are objective of course, and a five star song is a five star song forever. But, why then, do I keep skipping tracks by Au Revoir Simone, that band of synthesiser-playing hippy housewives who I had a brief crush on in September 2011? And how come Depeche Mode and the Smashing Pumpkins keep dropping a star these days? Was there something wrong in my objective taste of five star songs? Of the 253 five star songs in my collection, 32 are by the Cure and only 25 are by Nick Cave & the Bad Seeds. Does this finally arbitrate the long running rivalry in my head over who my favourite artist is?

Being a librarian and having some fondness for records (in the non-LP sense), I wish itunes was more sophisticated. I wish it had multiple ratings: a rating for when this song was in season, when it was in tune with me and my life, and my rating now. Then I could re-rate songs with impunity, without losing a record of just what my taste was in years gone by.

I haven’t listened to Amy Grant’s “Prodigal” for quite some time. I don’t have it on itunes, or even on CD. I don’t have a working tape player any more. I have the tape itself, and I don’t think it ever wore out. My dad never warned me that a song could ever wear out in my head, that my favourite song, that a perfect song, might one day stop being so.

*

As I write this, with my five-star song list on random, The Cure come up with a song I have not tired of despite living with for fifteen years, “Bloodflowers”, which carries in it all the ambivalence of loving a song and knowing it’s the best song in the world, and then not knowing that any longer:

Never fade
Never die
You give me flowers of love

Always fade
Always die
I let fall flowers of blood

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