‘Just one thing to make clear,’ she said, ‘I’d be astonished if any agent or publisher thought it was a good idea to write a trilogy on Katharine Susannah Prichard.’
I was hoping for something more like: I would be astonished if any agent or publisher turned down this manuscript. But I hired my editor for a manuscript assessment because of her frank and fearless advice and industry insight. I was glad to hear she considered it well written, but what stood out for her was my premise that the early life of KSP was worth an entire book. Did I provide some startling justification for this later in the manuscript? Did I have a better example of a similar undertaking other than Judith Wright? No and no. Continue reading