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Nathan Hobby, a biographer in Perth

~ The lives of John Curtin & Katharine Susannah Prichard, the art of biography, and other things

Nathan Hobby, a biographer in Perth

Monthly Archives: September 2009

[Thursday 3pm #26] The Book of Life

24 Thursday Sep 2009

Posted by Nathan Hobby in death, Series: Thursday 3pm feature posts (2009), writing

≈ 6 Comments

Tags

death, Library of Babel

An extract from The Library of Babel

I was on the bus after work to visit Grandad when my mobile started vibrating in my pocket. Its urgency disturbed me: phones were always for bad news in my mind. This time I was right – it was Dad and he was calling to say Grandad had died a few minutes ago.

My voice turned to a whisper. I didn’t want these strangers on the bus knowing my business. I asked Dad if he was coping okay, a stupid question, but I didn’t know what else to say. He said he was okay. I told him I was nearly at the hospice.

The book I’d been reading sat forgotten on my lap. I felt cheated that I’d nearly got there, that I could have seen him one last time and I hadn’t. I looked all around me on the bus, and then I couldn’t get my eyes off the stupid advertisements on the inside walls. There was nowhere I could go without people trying to sell me stuff.

I wanted someone with me but I couldn’t bear to ring Anita. I didn’t want to say Grandad was dead. Spreading the news would make it seem more real. The best thing would be to tell no-one, and then, as far as the world was concerned, he would go on living.

I suddenly realised I had no grandparents left, then I reproached myself. I was being so selfish. The person I should be thinking about was Grandad. I wanted to think precisely of what had just happened to him, to get past the words to the event itself. His consciousness had been extinguished. As far as his body was concerned, he no longer existed.

Everyone always said how sad it was for the people left behind, but I was thinking how the real tragedy was for dead person. How could it be possible to die? For your mind to be thinking thoughts one moment, and then not thinking thoughts the next? How could it be possible to have a final thought?

He had a final thought, and no-one will ever even know what it was. Let alone what came next for him. I wondered if he had last words. No-one even cared about last words these days. People used to care about last words; they probably used to rehearse them, to make sure they had them right. Your last words were the culmination of your life.

I went a few stops past the hospice. It wasn’t like I was thinking very straight. Stepping off the bus into the dusk, I had to walk back along the highway. Bus shelter ads, fast food litter on the uneven slabs of the footpath and all the cars rushing past with such violence. The sun was gone and chill of the night was setting in. I needed to ring Anita, I still couldn’t bear to. This could be an ordinary Tuesday night, I could be going to a pub – not that I ever did, but wouldn’t it be such a comforting, ordinary thing to do tonight? – or going to see a cheap movie at the cinema. But these weren’t options tonight.

An innocuous blue sign pointed down a sidestreet to the hospice. It was a residential street, lined with trees. None of these people in their houses knew that a long had just ended in their street. It happened daily, people’s long life stories coming to an end in beds inside a building on their streets. Did they know how much was being lost around them?

Dad, Uncle Graham, Aunty Pat were gathered in the room where he had died. His body had already been taken away. The bed was empty and unmade. I gave everyone subdued hugs.

Dad asked in a low voice if I wanted to see his body. I said no. Even seeing the empty bed was too much. I hadn’t seen a dead body this far in my life and I didn’t want to start today.

On the beside table was an old paperback. I picked it up; a bookmark from his local library was stuck between pages 190 and 191. He only had a few chapters to go. While everyone was talking, I slipped the book into my bag.

That night, I sat in the lounge room until one a.m. reading the old paperback. It was A.J. Cronin’s autobiography, Adventure in Two Worlds. Uncle Graham had probably grabbed it from Grandad’s shelf. I wondered if Grandad had read it before, or if it had been one of those books he had bought at a garage sale and been meaning to get to for the last twenty years.

It was a cheap paperback edition from the 1960s, the cover declaring it an international bestseller. I disliked bestsellers, but I had sympathy for the forgotten bestsellers of the past. Their obsolescence was touching, as was their misplaced self-confidence. They encapsulated their time and its passing.

Grandad liked to read old paperbacks. Whether it was chosen for him or he chose it, it was a fitting book for his last read. It was a life story imbued with the same old-fashioned notion of common sense that Grandad lived by, and the same refusal to be subversive, crude or despairing. It starts out in typical autobiographical fashion, full of the young doctor’s struggles to succeed in the world. But as the doctor becomes a best-selling writer, the narrative becomes more and more choked with anecdotes until it seizes up altogether in sermons.

I got to Grandad’s bookmark and powered on past it, reading what he had never got to read and thinking how he would have loved the end of the book, as Cronin at the height of his powers looks back on a successful life in a self-congratulatory tone I found difficult.

I got to the last word and shut the book. The book was finished, Cronin was at the height of his powers and Grandad was dead. But Cronin wasn’t really at the height of his powers. I got onto the internet and looked him up. He’d died in 1981, twenty-nine years after he wrote the story of his life. The year I was born. His narrative had started in 1917 when he was 18, the year Grandad was born. The coincidences didn’t lead anywhere, were all vague, but they gave me a sense of appropriateness. The book was finished, the book was out of print, Grandad was dead but Cronin was dead too.

There should be a book for people to read on their deathbed which explains everything. So that you’ve got something to look forward to. The last book you read should be the one which makes sense of life. But what if you lived on too long, finished that book, and then had to start something else? What were the odds of dying at the right time, when you’ve just finished a book? It wasn’t good to leave a book unfinished when you died. Poor Grandad. At least I’d read it for him, that had to count for something.

I had thought that when I finished the book I would want to sleep, but I still felt dissatisfied. I wished I could write in my diary and capture the feelings and thoughts of the day, but I didn’t feel able to. I wanted to listen to the radio, but there was never anything good on that late and it would wake up Anita. She stirred as I came to bed and asked me if I was okay. I told her I was probably more okay than Dad and I was definitely more okay than Grandad.

[Thursday 3pm #25] Endpoint and other poems : a dispatch from the afterlife

17 Thursday Sep 2009

Posted by Nathan Hobby in book review, death, poetry, Series: Thursday 3pm feature posts (2009)

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death, John Updike

endpointReading John Updike’s final book, a collection of poems, is like receiving a dispatch from the afterlife.  The poems take us nearly up to the point of his death from lung cancer in January this year. He sent the manuscript off and then he died.

The cover photo has a poignancy to it, with its spontaneous, snapshot quality, the sombre ordinariness of it in its black and whiteness, and the sense that John is about to head off down a path we can’t follow him down, not yet.

The collection starts with the ‘Endpoint’ sequence that takes us through each of his last birthdays, starting with his seventieth in 2002, and then into his diagnosis and swift death. His thoughts range across his life, from childhood to old age, as he reflects on mortality, aging, memory. In 2005 he writes

A life poured into words – apparent waste
intended to preserve the thing consumed.
For who, in that unthinkable future
when I am dead, will read? (p.8)

In hospital, having learnt of his death he writes:

Must I do this, uphold the social lie
that binds us all together in blind faith
that nothing ends, not youth nor age nor strength,
as in a motion picture which, once seen,
can be rebought on DVD? My tongue
says yes; within, I lamely drown. (p. 23)

His final reflections are baldly honest.  His poetry is less ornate than his prose, and it makes him seem more vulnerable, frail. He has let me in on the final secret journey he took, which I only learned he had taken when his death was announced that hot, hot January day.

After the ‘Endpoint’ sequence, are pages and pages of other poems, as if to say John is not really dead, as if to say he’s still alive like he should be, like I thought he would be.

[Thursday 3pm #24] The cartoons of my childhood: nostalgia and disappointment

10 Thursday Sep 2009

Posted by Nathan Hobby in autobiographical, Series: Thursday 3pm feature posts (2009)

≈ 3 Comments

Tags

He-Man, Voltron

voltron

Have you ever tried going back to the cartoons of your childhood? I have, and it’s been a mix of nostalgia and disappointment. I can watch the same episodes again, but I can’t watch them with the same eyes.

I watched some episodes of He-Man and Voltron for the first time in twenty years this year. I was shocked how bad they were. They both offered incoherent, ludicrous story lines, combining visual elements likely to appeal to six year olds with no thought for consistency. He-Man features bare chested warriors with swords next to cyborgs all living in a castle and each episode fighting off a simplistic baddie called Skeletor who is a skeleton in a cloak. The castle is an important element: Voltron has it too, as five astronauts find hidden robot lions to save a princess from an evil alien king.

The backstory of Voltron is that the mighty Voltron robot was so powerful that a space-goddess (!) cast a spell on it, splitting it into five different coloured parts, which became robot lions as they fell to the ground, each one falling to an environment relevant to its colour – the green lion to the forest, the blue lion into the water, etc. It takes some keys buried in the king’s sarcophagus (and one stolen by ‘space-mice’) to reactivate the lions. But of course, the team learns that it has to join together into one big robot if it wants to win. It sounds remarkably well designed to sell toys. And it worked – we all wanted all the lions; my brother got the yellow one, and I the green one.

It’s no wonder children wrote terrible stories at school. The cartoons they watched were setting a terrible example. Although not all of them – I also rewatched a number of episodes from The Mysterious Cities of Gold, and it stood up much better. It used to be on at 5pm on ABC in the late 80s. It’s an epic story of lost orphans who are taken to South America to find the Mysterious Cities of Gold. It has a lot of moral ambiguity and complexity to some of its characters and it still managed to fill me with some sense of wonder.

I hate to think what will happen when I try to re-read the Famous Five. The only childhood book that has stayed with me into adulthood is John Christopher’s The Tripods Trilogy.

House of Zealots commended

03 Thursday Sep 2009

Posted by Nathan Hobby in news

≈ 1 Comment

Tags

House of Zealots

My unpublished second novel was commended in the SPCKA Young Christian Writer’s Awards last week. It’s an award for fiction or nonfiction with Christian themes by an Australian under 30. A wrap up of the shortlists and winners of SPCKA awards this year can be found here – http://spcka.org.au/2009ACBOYSouvenirRGB.pdf .

[Thursday 3pm #23] Possession: the novel and the film

03 Thursday Sep 2009

Posted by Nathan Hobby in book review, film review, Series: Thursday 3pm feature posts (2009)

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A.S. Byatt, Possession

Novel: Possession: A Romance / A.S. Byatt (1990)
Film: Possession (2002)

The novel

I found Possession an engrossing novel. It is the story of two contemporary literary scholars – Roland Mitchell and Maud Bailey – who discover a secret affair between two (fictional) nineteenth century poets – Randolph Ash and Christobel LaMotte. The scholarly world is captured with all its interesting intrigues.

At one level, the novel’s title refers to questions of ownership over history and historical figures and their traces. The theme is illuminated by Roland Mitchell’s initial act of theft of a draft of a letter from Ash to LaMotte when he discovers it in a book Ash once owned. Mitchell feels it’s his discovery and he should ‘possess’ it; a feeling intensified as he enlists Maud’s help and they find themselves on the run from other Randolph Ash scholars, including the American collector Mortimer Cropper whose massive cheque-book allows him to ‘possess’ many Ash relics.

The word ‘possession’ also sums up the exploration of romance and relationships. In both the nineteenth century affair between Ash and LaMotte and the contemporary one between Roland and Maud, the lovers struggle with the nature of love. Is it about possessing the other?

The nineteenth century narrative is created purely through documents (with the exception of the epilogue) – including letters written by the lovers, diaries by their respective partners (Ash’s wife, LaMotte’s lesbian partner), and pages and pages of their poems. The poems read just like nineteenth century poems; an incredible achievement. But they bored me and I skipped over pages of them – I wanted to read a novel, not poems!

The film

The film version of Possession takes just 98 minutes to adapt a 511 page novel. It is both a simplification and a ‘greatest hits’ collection of scenes that on its own – without knowledge of the novel – lacks emotional power and significance. Trying to develop two parallel romances in different centuries in that short amount of time is impossible, and the film makers barely even try – Maud and Roland, the present day lovers, are reduced to one awkward encounter and then discussion of it.

The thriller element of the novel, with different parties pursuing the secret of Ash and LaMotte is only lightly used in the film, a strange decision given its cinematic potential. The film-makers do use the dramatic grave robbing climax, but in a truncated and disappointing scene which doesn’t make much sense. Roland Mitchell wrestles the box from Cropper and takes it away to look at it with Maud, no more ethical than Cropper himself.

The most disconcerting aspect of the film is the casting of big jawed hunk Aaron Eckhart as the supposedly shy and bookish unemployed scholar Roland Mitchell. In the book his girlfriend calls him ‘Mole’, a name no-one would apply to Aaron Eckhart’s character. Probably to appeal to the American audience, he has also become American, when his Englishness was so central to his character in the novel.

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Top Posts

  • The Joy of Knowledge Encyclopedia
  • The 28th, 29th, and 30th prime ministers: a memoir
  • The forgotten and the remembered: brief notes on the history of the Hodder & Stoughton £1000 Novel Competition
  • Biography of a year
  • My novel: The Fur

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  • 236,150 hits

Tag Cloud

9/11 19th century 33 1920s 1921 1930s 1950s 1970s 1971 1981 2000s 2004 2011 2015 2017 20000 Days on Earth A.S. Byatt Aboriginals activism Adam Begley Adrian Mole adultery afterlife Agatha Christie Alan Hollinghurst Alberto Manguel Alfred Deakin Amazing Grace Americana Amy Grant An American Romance Andre Tchaikowsky Andrew McGahan angela myers anne fadiman Anne Rice Arabian Nights archives art arts funding A Serious Man Ash Wednesday ASIO atheism Atonement Australia Australian film Australian literature Australian Short Story Festival autism autobiography autodidact Barbara Vine beach Belle Costa da Greene Bell Jar best best-of Bible Big Issue Bill Callahan biographical ethics biographical quest genre biographies birthday birthdays Black Opal Bleak House Blinky Bill blogging blogs Blue Blades Bodega's Bunch bog Booker book launch booksale Borges Brenda Niall Brian Matthews Brian McLaren Britney Spears Burial Rites Burke and Wills buskers C.S. Lewis C.S. 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Battye Janet Malcolm Jennifer Egan JFK JFK assassination Joanna Rakoff Joel Schumacher John Burbidge John Fowles John Howard John Kinsella John Updike John Updike Jonathan Franzen journal writing JSB Judgment Day Julia Baird Julian Barnes Kafka Kalgoorlie Kate Grenville Katherine Mansfield Kevin Brockmeier King's Park KSP Writers' Centre language last ride Laurie Steed Left Behind Leonard Cohen Leo Tolstoy Libra Library of Babel Library of Babel Lila Lily and Madeleine links Lionel Shriver lionel shriver lists literary fiction literature Lleyton Hewitt lost book Louisa Louisa Lawson Louis Esson louis nowra love letter Lubbock Lytton Strachey Madelaine Dickie Man Booker man in the dark Margaret Atwood Margaret River Press Marilynne Robinson mark sandman meaning of life Melbourne Mel Hall meme memorialisation memory MH17 Michael Faber Mike Riddell Miles Franklin mining boom missionaries moleskine Moon Palace morphine Mother Teresa movies Music of Chance My Brilliant Career names Napoleon Narnia narrative Narrow Road to the Deep North Narziss and Goldmund Natalie Portman Nathaniel Hobbie national anthem Nick Cave Nina Bawden non-fiction nonfiction noughties novelists novels obituaries obscurity On Chesil Beach Parade's End Paris Hilton Passion of the Christ past patriotism Paul Auster Paul de Man Perth Perth Writers Festival Peter Ackroyd Peter Cowan Writers Centre phd Philip K. 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